nterDOC es una plataforma web que es vol constituir com una eina en relació a l’anàlisi, la producció i l’intercanvi del gènere documental interactiu i la no ficció interactiva (assaig i reportatge). Es basa en oferir un marc conceptual i pràctic per a tres àmbits concrets: el gènere documental, el mitjà digital interactiu i el documental interactiu, sense oblidar l’anàlisi en general de la no ficció interactiva.

The Interactive Documentary. Definition Proposal and Basic Features of the Emerging Genre

“. McLuhan GalaxyConference Proceedings

, pp 354-365. ISBN 978-84-938802-1-7.

Gifreu, A. (2011), “

The Interactive Documentary. Definition Proposal and Characterization of the New Emerging Genre”

.

Hipertext

4, 2011. Digidoc Research Group. Communication Department. Universitat Pompeu Fabra.

Gifreu, A. (2010),

“El nuevo discurso de la no ficción interactiva y su aplicación para los dispositivos móviles. El caso del documental interactivo”. Geminis

, 2, 19, pp 232-250. ISSN: 2179-1465.

Gifreu, A. (2010),

“El documenal multimedia interactivo. Por una propuesta de definición y categorización del nuevo género emergente”.

II Congreso Internacional Comunicación 3.0: Nuevos Medios, Nueva Comunicación. Conference Proceedings, pp 192-205. ISBN 978-84-615-1693-3.

 

1. Interesting ideas on i-docs

2. The docu-game. Towards the immersive mode

3. Interactivity technologies, key factor for the interactive documentary

4. The evolution of the Internet, key factor for the interactive documentary

5. The evolution of the Internet, key factor for the interactive documentary (II)

6. The interactive documentary during the evolution of the Internet: giving examples of the different phases. Assumptions about the technological future.

7. Where we come from. Introduction and initial ingredients to build a correct taxonomic proposal

8. Research questions and compared methodology to establish a taxonomic study of the interactive documentary

9. Compared methodology to establish a taxonomic study of the interactive documentary (II)

10. Taxonomic discussions in the educational context: key issues in relation to interactive documentary (I)

11. Taxonomic discussions in the educational context: key issues in relation to interactive documentary (II)

12. Differences between linear and interactive documentaries. Featuring the interactive documentary (I)

13. Basic characteristics of the interactive documentary. Featuring the interactive documentary (II)

14. “Flows of the visible: the expansion of the documentary”, interesting masterclass by Professor Dr. Josep Maria Català (UAB)

15. On the loss of control over the narrative. New roles on the interactive documentary (I)

16. Significant differences between the two models. New roles on the interactive documentary (II)

17. Why Canada? Story of an amazing experience (I)

18. The i-docs’ “evolution”, in just 10 points ( + Sandra Gaudenzi)

 

 

1. The i-docs’ “evolution”, in just 10 points ( + Sandra Gaudenzi)

2. A contribution from idocs specialist Arnau Gifreu Castells

3. Welcome to Pine Point (“Welcome to Pinepoint” and the control over the authorship on I-Docs production)